In the Herb and Dorothy Vogel Film How Did They Purchase the Works of Art for Their Collect?
Trueing's Serie Triple Chandelier shown in dappled brass, one of 5 metal finishes.
In that location must something in the water—or, in this case, the light waves—for these iv young design studios. Their spring and summertime lighting introductions brand the virtually of evolved material languages to evangelize fixtures that are at once comforting and subtly defiant of expectations. From the delicate still thoughtfully adaptable concatenation-link motifs of Trueing'southward latest, to Blue Light-green Works' idiosyncratic beach-beachcomber Brutalism, paying attention to these four names right at present is undoubtedly a bright idea.
Bennet Schlesinger
California-based designer Bennet Schlesinger's emotive bamboo, paper, and ceramic lamps have garnered a cult following amid the creative form: He counts ceramist Simone Bodmer Turner, Dark-green River Projection designers Ben Bloomstein and Aaron Aujla, and the manner designer Emily Bode as supporters. It's piece of cake to see why. His sculptures radiate light and warmth through a fabrication process that involves layering sheets of translucent paper over a woven bamboo armature. Schlesinger has said the process is akin to throwing clay, another medium in which he works fluently.
Currently represented by 50.A. gallery Stanley's, Schlesinger has shown around the country in group and solo shows at the now-closed-only-well-remembered New York galleries Signal in Brooklyn and Karma's Amagansett outpost, also equally Big Medium in Austin, Texas, leaving him poised to keep working in the aesthetic tradition of his cited artistic forebears: Cy Twombly, Suzan Frecon, and Peter Voulkos. Nosotros tin can't await to see what'south next.
Trueing
Cofounders Josh Metersky and Aiden Bowman's v-year-quondam lighting studio Trueing expanded its textile repertoire this summer with the release of Serie, a new collection of chandeliers and pendants offered in v metal finishes. Metersky, formerly an engineer and product director for the New York–based lighting designer Bec Brittain, and Bowman, a Bjarke Ingles Grouping alumnus, channel the traditions of Italian jewelers into fixtures comprised of substantial brass links with satisfyingly precise beveled edges.
The collection name is Italian for "series," an on-the-nose nod to the format of the chain fixture, every bit much as the studio's progression of ideas from glass to metal, forsaking the transparent for the opaque. Non that they take anything to hide: They also introduced their Cerine light fixtures in sandblasted glass this season, a new cease that, per Bowman, "is just actually tasty-looking."
Slash Objects
Designer Arielle Assouline-Lichten, founder of the five-year-old Brooklyn-based studio Slash Objects, released her outset lighting collection this spring, as part of her Coexist series. Each lamp is customizable and made entirely of recycled materials: a hand-hewn base crafted from marble remnants, a lampshade bachelor in both a woven cloth made of 100 percent–recycled PET bottles, and a special edition bouclé.
The unfussy geometry of the base flatters both lampshade options, expanding on the contrasts and textures that define the studio's piece of furniture-making. Information technology's an elegant category bow from the studio, which is working next to bring the "exploded chandelier" from Assouline-Lichten's time on the most recent season of HBO Max's Ellen's Next Bang-up Designer to marketplace as a multipiece drove.
Blueish Greenish Works
New York–based studio Blueish Green Works debuted its first collection this spring, designed and engineered entirely in lockdown. The resulting pieces were conceptualized around ideas of sanctuary through textures and materials that evoke sites of escape and leisure. The Fiber series, comprised of a sconce and pendant fixture, is a nautically tinged experiment in elemental raw fiberglass, while the Palm series is made from hand-rolled, kiln-slumped drinking glass and precision-machined metallic elements configured as pendants, a sconce and a floor lamp.
Creative managing director Peter B Staples, formerly of Apparatus Studio, mined his years spent combing the beaches of Fire Isle to inform the collection's measured approach to themes of temporality and transparency—from the dulled glow of a sunset hitting your eyes closed to the conviviality of a party that goes into the wee hours of the morn. The unabridged drove is currently available direct online and at The Future Perfect.
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Source: https://www.elledecor.com/design-decorate/a36866609/independent-lighting-collections-2021/
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